Filmed 2026-07-16
Matt Damon
The actor and producer
Criterion's own upload · on criterion.com
The actor and producer shares what he’s learned from close collaborators like Steven Soderbergh and Gus Van Sant, talks about the impact of You Can Count on Me, and recalls a favorite moment from Double Indemnity.
What they took
11 cases, in the order Criterion lists them. None of them is a box set, so the count of choices and the count of films reached are the same.
Least-picked choice here: Maîtresse, taken by 1 other visits.
Table view
| Chose | Director | Year | |
|---|---|---|---|
| 1 |  Purple Noon | René Clément | 1960 |
| 2 |  Knife in the Water | Roman Polanski | 1962 |
| 3 |  Traffic | Steven Soderbergh | 2000 |
| 4 |  You Can Count on Me | Kenneth Lonergan | 2000 |
| 5 |  Drugstore Cowboy | Gus Van Sant | 1989 |
| 6 |  One False Move | Carl Franklin | 1992 |
| 7 |  No Country for Old Men | Joel Coen, Ethan Coen | 2007 |
| 8 |  Double Indemnity | Billy Wilder | 1944 |
| 9 |  sex, lies, and videotape | Steven Soderbergh | 1989 |
| 10 |  12 Angry Men | Sidney Lumet | 1957 |
| 11 |  Maîtresse | Barbet Schroeder | 1976 |
United States accounts for eight of their eleven single films.
Closest taste
Jaccard overlap against every other visit, counted on what came off the shelf rather than on films, so a shared box set counts once rather than as the films inside it.
403 visits compared · 31 filmed-together pairs excluded
Their decades
Their eleven single films with a release year on record, against where every guest's single-film picks land. Box sets are left out of both sides, so the two bars measure the same thing.