Closet Picks

16 Apr 2026

Oscar Isaac’s Closet Picks

The actor praises the unique sensibility that Martin Scorsese brought to T he Last Temptation of Christ , shares his love for the visual poetry of his friend and collaborator Guillermo del Toro, and talks about why Throne of Blood is his favorite on-screen Shakespeare adaptation.

Oscar Isaac: everything they reached for, and whose taste is nearest

choices
14
13 single, 1 box set
single films
13
chosen on their own
box sets
1
one choice, many films
films reached
19
the same visit, box sets opened

Criterion's own upload · on criterion.com

How far across film history it reaches

Where this haul sits in film history single films 1957 to 2022, box sets 1959 to 2000
John Cassavetes: Five Films
a single film, at its year a box set, across the years of its films the collection, by decade

The axis is the same 1920 to 2030 on every visit page, so a haul that stayed inside one decade looks like one. A box set is drawn across the years of the films inside it, which is a range of release dates and not a claim about the set. Nothing here is in the order the choices were made: displayed position moves film year by a fifth of one percent of its variance, which is not a slope worth drawing.

How long this haul is

Its 19films run 39.8 hours. The median visit runs 19.2 hours, over the 375 whose every runtime is on record.

That is 170.4 minutes of film for each of its 14 choices, counting a box set as the one choice it was. Across the 375 visits with a complete total, the median is 136.4 minutes.

How unusual this haul was

Its 14 choices had been taken by 5.36 visits each on average, counting a box set as one thing. One of them has been taken by nobody else. The least-picked was La Llorona, taken by this visit alone.

This visit reached the work of Guillermo del Toro, through Pan’s Labyrinth, Guillermo del Toro, through Guillermo del Toro’s Pinocchio and Terry Gilliam, through The Fisher King, who have been in this closet too. Not one of those reaches is returned.

On Vimeo · On criterion.com