27 Mar 2025
Steve Coogan’s Closet Picks
The actor, screenwriter, and producer talks about the monochromatic world of The Spy Who Came in from the Cold, praises the way that the cinematography of Klute turns viewers into voyeurs, and shares why His Girl Friday represents Hollywood at its finest.
Criterion's own upload · on criterion.com
- Choices
- 7
- Single films
- 7
- Box sets
- 0
| Chose | Director | Year | |
|---|---|---|---|
| 1 |  The Lady Vanishes | Alfred Hitchcock | 1938 |
| 2 |  12 Angry Men | Sidney Lumet | 1957 |
| 3 |  The Spy Who Came in from the Cold | Martin Ritt | 1965 |
| 4 |  A Matter of Life and Death | Michael Powell, Emeric Pressburger | 1946 |
| 5 |  The Servant | Joseph Losey | 1963 |
| 6 |  Klute | Alan J. Pakula | 1971 |
| 7 |  His Girl Friday | Howard Hawks | 1940 |