8 Jan 2025
Brady Corbet’s Closet Picks
The director and cowriter of The Brutalist selects three favorites by Luchino Visconti, praises Larisa Shepitko as one of the greatest directors in the history of cinema, and talks about the hypnotic, endlessly watchable The Mother and the Whore.
Criterion's own upload · on criterion.com
- Choices
- 11
- Single films
- 9
- Box sets
- 2
| Chose | Director | Year | |
|---|---|---|---|
| 1 |  The Leopard | Luchino Visconti | 1963 |
| 2 |  Death in Venice | Luchino Visconti | 1971 |
| 3 |  The Damned | Luchino Visconti | 1969 |
| 4 |  Marketa Lazarová | František Vláčil | 1967 |
| 5 |  Salò, or The 120 Days of Sodom | Pier Paolo Pasolini | 1976 |
| 6 |  The Ascent | Larisa Shepitko | 1977 |
| 7 |  Bergman Island | Mia Hansen-Løve | 2021 |
| 8 |  The Mother and the Whore | Jean Eustache | 1973 |
| 9 |  World of Wong Kar Wai box set, 7 films | ||
| 10 |  Pasolini 101 box set, 9 films | ||
| 11 |  Dekalog | Krzysztof Kieślowski | 1988 |