30 Oct 2023
Lina Rodriguez’s Closet Picks
The writer-director of So Much Tenderness and This Time Tomorrow shares her love for the magnetic monstrousness of Gene Tierney in Leave Her to Heaven , praises the visual grammar of Portrait of a Lady on Fire , and talks about “impossible love” in Flowers of Shanghai and Exotica .
Lina Rodriguez: everything they reached for, and whose taste is nearest
Criterion's own upload · on criterion.com
This visit as a strip, a cell for each choice: paler the older the film, indigo for a box set, which is one cell however many films it holds. The order is the order Criterion's own page lists them in, which is probably but not provably the order they came off the shelf.
| Chose | Director | Year | Taken by | |
|---|---|---|---|---|
| 1 | | Barbara Loden | 1970 | |
| 2 | | John M. Stahl | 1945 | |
| 3 | | Céline Sciamma | 2019 | |
| 4 | | |||
| 5 | | Rainer Werner Fassbinder | 1972 | |
| 6 | | Hou Hsiao-hsien | 1998 | |
| 7 | | Atom Egoyan | 1994 |
How far across film history it reaches
The axis is the same 1920 to 2030 on every visit page, so a haul that stayed inside one decade looks like one. A box set is drawn across the years of the films inside it, which is a range of release dates and not a claim about the set. Nothing here is in the order the choices were made: displayed position moves film year by a fifth of one percent of its variance, which is not a slope worth drawing.
How long this haul is
9 of its 10 films carry a runtime, and those alone run at least 15.8 hours. One of the others is a television series, which has no total on record at all: TMDB gives one episode's length, not a series'. The median visit runs 19.2 hours, over the 375 whose every runtime is on record.
What one of its choices was worth is not published for this visit. That figure divides the whole runtime by every choice, so a total missing one film would understate it rather than be approximately right.
How unusual this haul was
Its 7 choices had been taken by 3.71 visits each on average, counting a box set as one thing. Three of them have been taken by nobody else. The least-picked was Bo Widerberg’s New Swedish Cinema, taken by this visit alone.
This visit reached the work of Atom Egoyan, through Exotica, who has been in this closet too. Not one of those reaches is returned.