Filmed 2018-01-14
Richard E. Grant
Guest
Criterion's own upload · on criterion.com
The Oscar-nominated veteran bags a few favorite movies—and delivers some spot-on impressions of Jeanne Moreau and Dustin Hoffman while he’s at it.
What they took
11 cases, in the order Criterion lists them. None of them is a box set, so the count of choices and the count of films reached are the same.
Least-picked choice here: The French Lieutenant’s Woman, taken by nobody else.
Table view
| Chose | Director | Year | |
|---|---|---|---|
| 1 |  Jules and Jim | François Truffaut | 1962 |
| 2 |  Cries and Whispers | Ingmar Bergman | 1972 |
| 3 |  Hamlet | Laurence Olivier | 1948 |
| 4 |  The Tin Drum | Volker Schlöndorff | 1979 |
| 5 |  City Lights | Charles Chaplin | 1931 |
| 6 |  The French Lieutenant’s Woman | Karel Reisz | 1981 |
| 7 |  Nashville | Robert Altman | 1975 |
| 8 |  The Graduate | Mike Nichols | 1967 |
| 9 |  Day for Night | François Truffaut | 1973 |
| 10 |  Some Like It Hot | Billy Wilder | 1959 |
| 11 |  La strada | Federico Fellini | 1954 |
United States accounts for four of their eleven single films.
Closest taste
Jaccard overlap against every other visit, counted on what came off the shelf rather than on films, so a shared box set counts once rather than as the films inside it.
403 visits compared · 31 filmed-together pairs excluded
Their decades
Their eleven single films with a release year on record, against where every guest's single-film picks land. Box sets are left out of both sides, so the two bars measure the same thing.