Filmed 2017-09-17
Lucrecia Martel
The master
Criterion's own upload · on criterion.com
The Argentine master behind such enigmatic, formally audacious films as Zama and La Ciénaga reveals her love of genre cinema.
What they took
11 cases, in the order Criterion lists them. None of them is a box set, so the count of choices and the count of films reached are the same.
Least-picked choice here: Beauty and the Beast, taken by 1 other visits.
Table view
| Chose | Director | Year | |
|---|---|---|---|
| 1 |  The Lady Vanishes | Alfred Hitchcock | 1938 |
| 2 |  Seven Samurai | Akira Kurosawa | 1954 |
| 3 |  Amarcord | Federico Fellini | 1973 |
| 4 |  Beauty and the Beast | Jean Cocteau | 1946 |
| 5 |  Love Streams | John Cassavetes | 1984 |
| 6 |  Time Bandits | Terry Gilliam | 1981 |
| 7 |  Eyes Without a Face | Georges Franju | 1960 |
| 8 |  Naked Lunch | David Cronenberg | 1991 |
| 9 |  Carnival of Souls | Herk Harvey | 1962 |
| 10 |  The Red Shoes | Michael Powell, Emeric Pressburger | 1948 |
| 11 |  Cat People | Jacques Tourneur | 1942 |
Their eleven single films come from six different countries, with no one of them leading.
Closest taste
Jaccard overlap against every other visit, counted on what came off the shelf rather than on films, so a shared box set counts once rather than as the films inside it.
403 visits compared · 31 filmed-together pairs excluded
Their decades
Their eleven single films with a release year on record, against where every guest's single-film picks land. Box sets are left out of both sides, so the two bars measure the same thing.